Beatriz Milhazes - Contemporary Art Evening Sale London Sunday, June 26, 2011 | Phillips

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  • Provenance

    Stephen Friedman Gallery, London

  • Catalogue Essay

    It was not until the end of the 1980’s, with the fall of Brazil’s military dictatorship, that seminal Brazilian artists contributions started to be recognized. It was at this point, that several fundamental changes took place within the artistic forum; namely, the profession of an artist overcame historic prejudice against manual labour. Beatriz Milhazes’ art started to emerge in the mid 1980s, when painting had made a large resurgence, after a decade of exile in the 1970s. Milhazes’ oeuvre brings together cultural traditions intrinsic to Brazil, whether from the crafts or from the fine arts, yet also acknowledges a debt to key figures of European modernism, particularly the work of Matisse. ‘Everything changed the first time I saw a painting by Matisse. It was a very emotional experience to see the materials, the colors, the format. This kind of art becomes unreachable because of the distance created by history and the reproductions with which we have to resign ourselves. I was looking at the work, eye to eye. I saw the brushstrokes and realized that you can make mistakes, so the sensation grew that I could, myself, paint like this.’ (The artist in Beatriz Milhazes: pintura, colagem, exh. cat., Estação Pinacotera, São Paulo, 6 September – 30 November, 2008) The present lot, O conflito, with its intoxicating mixture of rich luscious colours, pulsates with life. The central flower motif unfolds it’s layered red, purple and blue leaves to reveal a vibrant yellow core, like the exotic blooms of Brazil’s tropical rain forest. We see glimpse of gold leaf breaking through the adorning acrylic layers. This use of gold leaf was a recent development in Milhazes career around the execution of O conflito. Her attraction to the everyday milieu of Brazilian life is a central theme that runs through much of her work. The present lot, depicts as strongly as any in her oeuvre, the inspiration taken from the cheap floral fabric found on local market stalls, as well as the colourful local crafts and jewellery produced by Brazil’s many indigenous populations.

  • Artist Biography

    Beatriz Milhazes

    Brazilian • 1960

    Beatriz Milhazes is best known for her vibrantly colored yet calculated compositions. The artist has cited Baroque architecture, lace work, Carnival decoration and the flora of the Jardim Botanico in Rio de Janiero chief among her inspirations. Milhazes' artistic practice is akin to monotype or collage in that the artist first paints motifs directly onto transparent plastic sheets and later applies them to the canvas, leaving the plastic to dry. The superimposed image allows for overlapping and layering, resulting in a textured canvas and a distorted central focal point. While seemingly chaotic, Milhazes' compositions are perfectly balanced due to the artist's technically sophisticated use of geometric forms and chromatic color palate.

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19

O Conflicto

2001
Acrylic on canvas.
150 × 35.5 cm (59 × 14 in).
Signed, titled and dated ‘B. Milhazes “O Conflito” 2001’ on the reverse.

Estimate
£120,000 - 180,000 

Sold for £181,250

Contemporary Art Evening Sale

27 June
London