Rosemarie Trockel - Contemporary Art Evening Sale London Sunday, June 26, 2011 | Phillips

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  • Provenance

    Galerie Wolfgang Wittrock, Düsseldorf; Private Collection, Germany

  • Catalogue Essay

    ‘In the 70s there were a lot of questionable women's exhibitions, mostly on the theme of house and home. I tried to take wool, which was viewed as a woman's material, out of this context and to rework it in a neutral process of production’. (Rosemarie Trockel in an interview with Isabelle Graw; "Rosemarie Trockel talks to Isabelle Graw - '80s Then - Interview". ArtForum. FindArticles.com) With her work Rosemarie Trockel examines the myth and the perception of ‘the female’ in the 20th century challenging and discussing stereotypes of gender roles, culture, sexuality, the human psyche and domestic work. With her work and inspired by the world around her, Rosemarie Trockel examines what constitutes ‘the female’ and its role, not only in the art but also in the domestic world. In her ‘knitting paintings’ Trockel experiments with the traditionally ‘inferior materials and skills’, like wool and knitting. For her ‘knitted paintings, she designs motives on a computer which are then re-produced by a knitting machine, simultaneously divesting them from any female interaction. These patterns are also reference to behavior patterns, which we follow and after which we function and psychological patterns, after which we act and which controls how we perceive the world around us. Belonging to the most famous group of Trockel’s work, the knitted ‘wool works’ aim to identify which perceptions of the female circulate and to examine if these are still valid in our contemporary world. While exploring these concepts from a purely female perspective, one would, however, fail to do Trockel’s work justice by classifying her as a mere feminist. She rather is a very sharp and close observer of the world around her and distances herself from systems imposing any kind of social, sexual and gender-related restrictions. In the 70s and 80s in Cologne, Rosemarie Trockel achieved to become one of the only successful female artists emerging in an art world dominated by male groups like the Mulheimer Freiheit and groups surrounding Martin Kippenberger. Over the past three decades, Rosemarie Trockel has become an internationally acclaimed and renowned artist through her multifaceted and controversial work and belongs to the most celebrated German artists of our time.

18

Untitled (Vogelköpfe)

1989
Knitted Wool.
99 x 199 cm (39 x 78 1/2 in).
This work is from an edition of 3 plus 1 artist’s proof.

Estimate
£150,000 - 200,000 

Sold for £241,250

Contemporary Art Evening Sale

27 June
London